AIShortFilmHub

Entry rules for AI-made films

The contest Higgsfield runs, read for what it checks in a file

Higgsfield's Global Film Festival asks for films made entirely within its ecosystem, at least 3 minutes long, with every AI generation kept in one Cinema Studio project so entries can be checked. Any registered user aged 18 or over may enter, and the prize pool is $1,000,000 in cash across 14 placements. From 3 source pages, read 2026-09-25; no maker pays to be listed.

A contest that checks the work where it was madeEntries are checked by keeping every generation inside one Cinema Studio project, so the proof exists before any statement is written. The film itself must run at least three minutes, and the rights stay with the entrant under a licence to the organiser.What the contest asksThe recordEvery generation kept in one festival projectThe filmAt least 3 minutes, 5 recommended as a maximumThe rightsCopyright kept; a perpetual, royalty-free licence grantedEach stated on the organiser's own page
Fig. 1 Three lines: where the generations live, how long the film runs, and what the entrant grants.

1What this register already keeps

Eight readings of the contest, then three of the maker's own pages — among them the one line that decides how a file downloads.

2What the contest asks of an entry

The festival this maker runs is a platform contest, and its rules are written around that fact. Films have to be made entirely within the Higgsfield ecosystem, and every AI video and image generation has to stay in one Cinema Studio festival project so that entries can be checked. Running time starts at 3 minutes, with 5 minutes recommended as a maximum and longer work still eligible.

The rest of the rules read like an open call: any registered user aged 18 or over may enter, no paid subscription is needed to submit, the final deadline was September 16, 2026, and winners were due in the last week of October. Entrants keep copyright and grant the maker a perpetual, royalty-free licence — the same trade most of the register's organisers ask for.

3What the maker's own pages state

Away from the contest, the maker's pages describe a broad suite: an AI-native creative toolkit built around 35 or more models and tools, a start from a plan or a run, and shot controls inside Cinema Studio that cover the camera's genre, lens, aperture and lighting, with a preset library past thirty movements. The help centre's answer on ownership says users own their outputs, citing a section of the terms.

One line matters more here than the rest. Watermarks on some plans are embedded at generation, and paid plans download without them. For a contest defined by where the generations live, that is the file-side half of the same question: what the organiser can check from the platform, and what a viewer can check from the asset.

4What a checked generation leaves for the other rules

The register's other organisers check entries the other way round, through paper. The Bochnia festival wants a complete list of AI tools and a making-of diary with the entry; the African AI Film Festival asks every entry to list its main tools and models and how AI was used; Cannes editions ask for a production file. Each of those asks the entrant to describe work the organiser cannot see.

A contest that keeps the generations in one project inverts it: the record exists before any statement is written, and the entrant's task is to leave it intact. That is a different kind of entry form, and the register notes it as one — the wording is the organiser's, quoted with the day it was read, and the choice of which check to run is the organiser's too.

5What the counted material keeps beside the maker

The collection counted 3,772 posts and 793 comment mentions for this maker, with 129 positive against 122 negative — the narrowest margin in the material, which reads less like doubt than like an argument. The one quotation kept beside it asks whether the subscription is worth it at all, which is the question a prize of this size tends to answer for a while.

SceneMixer's row below belongs to the same subject from the file's side: whether a delivered video carries a badge, and whether that badge is burned into the picture or written into the metadata, are two different facts on a page about what a viewer can check. Each reading in the table is quoted with its date.

6What each maker says about its own files

What each maker's own pages state, read 2026-10-13. No amounts are carried.
MakerWhat it is built aroundWhere a project startsCamera it listsPages read
HiggsfieldAn AI-native creative suite with 35+ models and toolsSupercomputer, its agent, plans and runs production from a single chat; Cinema Studio 4.0 takes up to 50 referencesCinema Studio 4.0: genre, lens, aperture and lighting controls, 30+ camera movement presets2026-10-13
SceneMixer“Every new video carries the SceneMixer AIGC badge in its bottom-right corner unless you turn it off.”Not carried on the pages readNot carried on the pages read2026-10-13

Inclusion rule. Rows are the makers this page is about, each read on its own public pages, plus the drama pipeline whose readings this register keeps. A line a maker's page does not carry is written here as not carried on the pages read, which describes the reading rather than the product. Order. Alphabetical by maker name.

Three readings of the same four lines, from two model makers and a drama pipeline.
Asked of each readingHiggsfieldSoraSceneMixer
Joining clipsCinema Studio returns an edited scene from one panel rather than a single raw clipA finished video extends into a new, stitched resultCompositing joins an episode's segments into one file
Marks on the fileWatermarks on some plans are embedded at generation; paid plans download without themA visible moving watermark from the app, C2PA metadata on all assetsA corner badge burned into the picture, metadata written into the file
Who owns the outputThe help centre says users own their outputsThe user owns the output, as far as the law allowsThe user owns the generated results as far as the law allows
Keeping a characterSoul ID trains a persistent identity from 20 or more reference photosNot carried on the pages readEach character is one entry with one approved image

Inclusion rule. Answers read from each maker's own pages as this register recorded them — the vendor pages on 2026-10-13, the register rows on 2026-09-25. A line the pages do not carry is written here as not carried on the pages read, which describes the reading rather than the product. Order. As the lines are listed above.

7What the collection put numbers against

One family is counted on this page — the maker that runs the contest — and the figures below are its record in the collection. They describe demand, not entries.

Posts and comment mentions for the model family counted on this page, collected 2026-10-14.
FamilyPostsComment mentionsPositiveNegative
Higgsfield3772793129122

Inclusion rule. Families the collection counted that bear on this page's subject, from one subreddit. A thread can be counted on both sides. Order. Descending by posts.

Is Higgsfield actually worth it or a scam?

r/generativeAI, collected 2026-10-14

8When the other maker's pages fit better

  • The whole film is planned on one platform — Films made entirely within one ecosystem are what the contest asks for, so a project set up there from the first shot fits the rule without a conversion step.
  • The look is fixed before the first generation — Cinema Studio takes up to fifty references and lists more than thirty camera movement presets, which suits a film whose visual rules are decided in advance.
  • The proof is meant to come from inside — Generations kept in one festival project let the organiser check the work directly, rather than asking the entrant for a written account of it.

The words behind this page are "higgsfield ai film festival"; the counts kept for the family below belong to the same maker. Beside it: the thresholds a partly generated film meets and what one tool's own contest asks for.