Do you keep the rights to an AI festival entry?
At AIFJ, Bochnia, WAIFF in Cannes, the AI for Good Film Festival and Higgsfield's festival the entrant keeps copyright and grants a licence; AIFJ's and Higgsfield's are perpetual. Runway, Chroma, LTX's competition, T-AIFF, AI Cinema Festival NYC and the African festival have entrants warrant that they hold the rights. From 11 source pages, read 2026-09-25; no maker pays to be listed.
| Festival | Rule | What the rules say |
|---|---|---|
| African AI Film Festival | Rights | Entrants must own or have secured all rights, including outside assets, music and likenesses |
| AI Cinema Festival NYC | Rights | Rights to likeness, music, voice and datasets rest with the submitter |
| AI Film Festival Japan | Rights | Rights stay with the entrant, who licenses screening and promotion to the committee |
| AI for Good Film Festival | Rights | Filmmakers keep copyright and grant ITU permission to use the film for festival promotion, with credit |
| AI Shortest Film Competition | Rights | Entrants must own or hold rights to everything in the film, and allow the festival to share and screen it |
| Bochnia International AI Film Festival | Rights | The filmmaker keeps full copyright and licenses screening and short excerpts |
| Chroma Awards | Rights | Entrants must hold full rights to grant the licence the rules require |
| Higgsfield Global Film Festival | Rights | Entrants keep copyright and grant Higgsfield a perpetual, royalty-free licence |
| Runway AI Festival | Rights | Entrants warrant they own the rights and can grant Runway rights to use the film |
| Turkey International AI Film Festival | Rights | The rights holder warrants the film is legal and compliant with copyright |
| World AI Film Festival | Rights | Entrants keep copyright and grant the festival and its partners a licence |
Inclusion rule. A festival is listed when its own rules state what the question asks. Order. Festivals in alphabetical order.
Keeping copyright and granting a licence go together. The licence decides where the organiser may show the film, for how long and whether it can be used to promote the organiser's own product.
The warranty cuts the other way: the entrant promises that every face, voice, song and image can be used, and carries the risk if one cannot. Runway's Gen:48 takes a non-exclusive, perpetual, irrevocable licence to every entry.
1From the rules themselves
African AI Film Festival
The entrant must own or have secured all rights to the work, including third-party assets, music, and likenesses.
African AI Film Festival, home page
AI Cinema Festival NYC
Rights, likeness, music, voice and dataset permissions remain the responsibility of the submitter.
AI Cinema Festival NYC, rules and eligibility
AI Film Festival Japan
Intellectual property rights to the submitted works generally remain with the applicants.
AI Film Festival Japan, English site
AI for Good Film Festival
grant ITU permission to use their films for Festival-related promotion and activities, with credit to the filmmaker.
AI for Good Film Festival, ITU page
AI Shortest Film Competition
Make sure you own or have the rights to everything in your film – including visuals, music, and AI-generated content.
Forward Festival, AI Shortest Film Competition by LTX
Bochnia International AI Film Festival
The filmmaker retains full copyright to their submitted work.
BIAIFF, 2026 regulations (English)
Chroma Awards
You must have the full rights to grant the license and other rights that you grant to ElevenLabs in Section 9 (Intellectual Property) below.
Chroma Awards, official rules on Devpost
Higgsfield Global Film Festival
All copyright and other rights in your film remain with you, the author.
Higgsfield Global Film Festival, official rules
Runway AI Festival
you (or your Team) have the right to grant Sponsor the rights to use the Submission as set forth in these Official Rules
Runway AI Festival, official rules for film
Turkey International AI Film Festival
The rights holder warrants that the film is fully legal and compliant with copyright laws.
T-AIFF, official site
World AI Film Festival
candidates retain full copyright and intellectual property rights to their work.
World AI Film Festival, 2026 rules
- EligibilityEntrants must own or have secured all rights, including outside assets, music and likenesses
- Rule 04Rights to likeness, music, voice and datasets rest with the submitter
- Terms 03Rights stay with the entrant, who licenses screening and promotion to the committee
- RightsFilmmakers keep copyright and grant ITU permission to use the film for festival promotion, with credit
- CopyrightEntrants must own or hold rights to everything in the film, and allow the festival to share and screen it
- Article 5The filmmaker keeps full copyright and licenses screening and short excerpts
- Submission guidelinesEntrants must hold full rights to grant the licence the rules require
- Rights and licensingEntrants keep copyright and grant Higgsfield a perpetual, royalty-free licence
- RepresentationsEntrants warrant they own the rights and can grant Runway rights to use the film
- Regulations 6eThe rights holder warrants the film is legal and compliant with copyright
- RightsEntrants keep copyright and grant the festival and its partners a licence
What the entrant keeps or grants at every festival · Do AI film festivals accept films that are partly AI? · Which AI film festivals offer cash prizes?
2Producing the entry with AI
For an entrant reading “Do you keep the rights to an AI festival entry?”, this is what SceneMixer publishes about the film its pipeline hands over:
Downloads and the asset library follow your Music switch; a shared link always plays the version with the episode’s music.
SceneMixer, Background Music in an AI Short Drama: The Built-in Score — “Does the music carry into downloads, the library and shared links?” (read 2026-10-13)
The default for text stays the cheaper tier; Recommended is the badge on the tier the site suggests for hard episodes.
SceneMixer, Doubao Seed Evolving: the recommended text tier — “Is Recommended the same as default?” (read 2026-10-13)